24 Sculptures per Second.
In 24 Sculptures per Second, there is no script, no scene—only an obsessive search for beauty in the hypnotic movement of the sea crashing against the rocks. An ephemeral dance whose choreography is not directed by the photographer: he simply follows it, guided by intuition, chance, and error.
At the exact instant when the foam strikes the rock, a form emerges—only to immediately transform into another. The camera, with almost surgical precision, freezes that moment and turns it into presence: into volume, gesture, fold. A sculpture of water, air, and salt—fleeting and unrepeatable.
It is not a symbol or a sign, but a living image that transforms and confronts us — as Georges Didi-Huberman might say — a form activated by the power of a watchful, contemplative gaze.
24 Sculptures per Second is an archive of liquid instants that reveals water’s capacity to sculpt time.